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Discussing the works in the
Ceramic Contemporaries 4 exhibition
Knowledge and Understanding:
Different Ways of Working
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| Emilie Taylor |
Fiona Meagher |
Marian Anderson |
Basil Olton |
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of the objects in Ceramic Contemporaries 4 do not fit neatly into
any of the traditional categories that we associate with work in clay.
Such pieces take their cue from the contemporary art world, where
different ways of working, such as conceptual art and installations
have become commonplace. Conceptual art means that the artist chooses
the material that she/he feels most suitable for expressing her/his
ideas. This is a basic underlying principal: the idea is paramount.
Installation art and conceptual art have much in common, in that both
tend to focus on ideas, but installation art is made specifically
for a particular exhibition space and relies on that space to complete
it. In other words, we read it where we find it, and if
it were installed elsewhere, not only would it look different, but
its meaning might alter. However, appreciating this sort of work only
depends in part on reading it in a particular way; it
can of course be enjoyed simply for its beauty. |
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